Susan Collis

The oyster’s our world
Wooden stepladder, mother of pearl, shell, coral,
fresh water pearl, cultured pearls, white opal, diamond

Collis analyzes visual perception through the manipulation of everyday objects. In the piece above, what initially seems like a collection of careless splashes on a normal stepladder, are on closer inspection, meticulous inlays replicating the accidental and mundane. Collis enjoys playfully positioning the works in overlooked areas of an exhibition space, to heighten the potential for an initial misreading. The viewer is forced to rethink their position and understanding, as a result of her trompe-l'oeil effects. Other interesting works include clothes with embroidery to mimic the spontaneous moment and those that transform precious metals and stones into little screws and rawl plugs.

"The pieces all use different types of trompe-l'oeil effects in order to investigate issues concerning identity, craft, value and labour. Everyday objects, etched, splattered and stained with the marks of work and wear & tear, are seen, at a first glance to be the secondary results of a primary activity ­ seemingly worthless and easily ignored. I am interested in the shift in perception that takes place upon discovery that they are, instead, the primary activity themselves." -Susan Collis